My God-Hunger-Cry - by Sri Chinmoy

In October of 2005, Sri Chinmoy began a series of prayer-poems entitled My God-Hunger-Cry. We are delighted to feature them here and hope they bring you joy and inspiration.
My God-Hunger-Cry - by Sri Chinmoy

In October of 2005, Sri Chinmoy began a series of prayer-poems entitled My God-Hunger-Cry. We are delighted to feature them here and hope they bring you joy and inspiration.
My God-Hunger-Cry - by Sri Chinmoy

In October of 2005, Sri Chinmoy began a series of prayer-poems entitled My God-Hunger-Cry. We are delighted to feature them here and hope they bring you joy and inspiration.
My God-Hunger-Cry - by Sri Chinmoy

In October of 2005, Sri Chinmoy began a series of prayer-poems entitled My God-Hunger-Cry. We are delighted to feature them here and hope they bring you joy and inspiration.
Peace of the Basket Weavers
It was in Myanmar on our last trip there that this amusing trifle took place.
Sri Chinmoy was hosting a visit to our hotel by several of Myanmar's most senior leaders and the evening included a wonderful peace concert and special tribute songs for our eminent guests. At one point in the evening Sri Chinmoy asked representatives from each of our countries to file past the microphone and announce both their country of origin and the word 'peace' in their native language. We each wore a colored sash embossed with our country name and formed a long procession of some forty-five nationals.
I decided to use the Maori word for peace just for a change and consulted Uddipan, our sole Maori speaker, on the correct word and pronunciation. Uddipan coached me briefly in the word 'rangi marie' and when my turn came, standing before our guests in a hall filled with about five hundred people, I delivered it with what seemed a judicious blend of confidence and fidelity to Maori vowels.
As I returned to my seat I noticed Uddipan grinning from ear to ear and knew something wasn't quite right. My pronunciation had been at fault he informed me. Instead of 'peace over the earth' as the correctly pronounced word would mean, I had declared 'rangi marie' to my audience in such a way that it meant 'peace of the basket weavers'.
I still enjoy getting up on such occasions and delivering my 'peace of the basket weavers' – it has a nice homely touch – and the New Zealand students are all conspirational smiles now that word of my transgression is out. Basket weaving seems very tranquil and meditative to me – sitting in the sun, at rest in the here and now, calmly braiding the long strands of flax. May all of our lives be filled with the peace of the basket weavers, always.
– Jogyata.
Captain Ahab Harpoons a White Woman
On another occasion I played Captain Ahab from Moby Dick and all I had to say was, "Ahoy matey! Is that the white whale I've been searching for? Out of my way, woman! I'll harpoon that blubbery fish that took me leg!"
I also had to remember to limp – with only one leg Captain Ahab would certainly have had a limp – and deliver my lines with a suitably roguish, nautical accent. Simple enough, surely.
But when I leapt out from the audience and shouted 'Ahoy matey!' things started to unravel. The combination of limping, feigned piratical accent, remembering to face the audience and use the mike, and remembering my lines proved too overwhelming for my overtaxed and panicked brain and in what I clearly recognised as a New Zealand accent I heard myself say, "Is that the white woman that took me leg? Out of my way, matey, I'll harpoon that blubbery beast that I've been searching for!"
In a fog of despair, dimly I saw play director Sanatan standing off stage, glowering at me and my gaffe, and my confused co-actors, reeling with uncertainty, also looking at me in surprise. The audience, too, were unsure as to the identity of the blubbery white woman I wanted to harpoon and how she had managed to take my leg, but finally things rolled on and I was released out of the play and free to escape, crestfallen but relieved, back to the sanctuary of my seat. Captain Ahab had it easy – losing one's dignity is always much, much worse than merely losing a leg.
Incidents like this linger in the minds of other play directors too and suddenly you begin to notice that requests for you to perform in their productions are steadily declining. Mercifully too, since treading the boards is hell for a reticent introvert like me.
– Jogyata.
A Rare Ten out of Ten
Over the Northern Hemisphere winters Sri Chinmoy and a number of his fortunate students spend a month or two in warmer parts of the planet.
On these evenings together we often act in spiritual plays, some serious, some light-hearted and humorous, but these have not always been a high-point in my vacations. When I perform my tiny parts I forget lines, flounder in an ocean of anxiety and discover a total incapacity for acting that borders on imbecility. All this of course is good for us because our egos are crushed and we learn humility – especially when night after night ones own idiocy is highlighted further by the contrasting brilliance and competence of so many of one's brother and sister disciples.
I like the Irish comedian Hal Roach's story about somebody who spent weeks rehearsing his part in a play, which consisted of two simple words – 'is it?' For days this actor went around practicing his lines – 'is it? is it? is it? IS it?' to perfection, honing these two all important words into a compelling and dramatic tour de force. Alas on opening night, under the pressure of real public performance, he came out instead with 'IT IS!'
But enough self-flagellation. One glorious success though was a play I once did with an accomplished actor-friend – lots of dialogue, rehearsals, real acting, and somehow I got through it word perfectly. What made the play a personal triumph though was the fact that my wife Subarata and several of her friends were seated front row, huge play-destroying grins on their faces, and I had to grapple desperately with the effect this had of luring me into laughter. Worse, when I glanced at Sri Chinmoy, searching for soulfulness and resolve, he was grinning hugely too, unabashedly in complicity with the girls and enjoying my plight and the unusual spectacle of me in a play with my meticulous friend.
Somehow grace descended and we pulled it off. But I can still remember Guru's delighted and mischievous smile in this conspiracy of mirth which he and certain members shared and I can quietly appreciate myself and my ten out of ten for thespian fortitude.
– Jogyata.
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